
First Submission Period:
March 1, 2025 – June 30, 2025
First Submission Announcement:
July 05, 2025
Second Submission Period:
August 15, 2025 – September 30, 2025
Second Submission Announcement:
October 15, 2025
Exhibition Dates:
July 13, 2025 – August 14, 2025
December 25, 2025 – December 31, 2025
Exhibition Venue:
Waley Art
ETHNIC: An Hour With Artists
Curator Statement – James Shih
"Do you think artists are difficult to get along with?"
"What are we so-called ‘artists’?"
Swiping through comments like these examples above on social media platforms, leads me to an idea of why not we artists show what we are. I’d like to open a discussion about why is there somehow an invisible boundary between Artists and Non-artists. Starting with the terms Artist
and 藝術家 (Yìshùjiā, Artist in Chinese). If we consider a broader interpretation, the term Artist could be more accurately translated as Art Practitioner, encompassing a wider range of creative individuals. We will use the word “Artist” which also includes “Art Practitioner” in the following paragraph to wider the boundary of our project.
Artist, influenced by academic training or environmental factors, tend to emphasize interpretation and the expression of perspectives when addressing issues and engaging with life. Because art often navigates ambiguity and uncertainty, artists rely on an extensive vocabulary system to construct communicative framework, guiding themselves and the audience toward deeper emotional and intellectual engagement.
For this creative project, we aim to establish mechanisms that explore the identity of an "Artist," by examining their daily life. And discuss about how it differs from that of the general public.
Furthermore, we seek to analyze the connection between "artistic discourse" and everyday life. Within the "art community," these forms of communication are commonplace—but for the audience, do they appear intriguing, incomprehensible, or simply unrelatable?
"ETHNIC – An Hour With Artists” Video Submission Project is initiated and curated by artist Luna Huang. The project invites submissions of "One Hour in an Artist’s Life"—short video recordings that reflect an artist’s perspective on daily life. These videos will not only showcase the artist’s worldview but also reveal how viewers perceive and differentiate themselves from artists.
To fully capture the essence of daily life, the project goes beyond conventional exhibition formats. In addition to traditional venues, selected videos will be uploaded to major videosharing platforms, expanding their reach. This initiative also includes an international exchange with New York, broadening engagement and enabling a wider audience to experience the lives of artists and gain insight into the art world.
This exhibition is not only a reflection on the identities of "Artists" and "Art Practitioners" but also an inquiry into the "Art Community" itself. It directly challenges public perceptions—when one becomes an artist within this "Ethnic," do they not also become an observer of others?
Understanding each other’s daily lives is the first step toward truly comprehending what the "Art Community" is all about.

Artist Statement – Luna Huang
I don’t have any degrees of art, I came from the world of fashion. At first it felt like I was an innocent rabbit accidentally bumped into the woods. Then I started trying to learn everything.
In this journey the two questions I constantly asked my artist friends are: "Why?" and "What do you mean?" After engaging in frequent discussions and interactions with artists, I started to understand why non-artists often feel confused about art and artist—" Artists have their exclusive language system."
Surely a bold statement ,however, the more time I spent time in this specialized environments and academic discourse community, I come to this conclusion that artists have developed a unique way to communicate with each other about art.For example, if I were to describe a simple act of placing a daisy in an cup of iced Americano by using the language of artistic discourse, I might say: "He is dying—every day at 8 AM, in front of the punch clock. An flower of innocence and freedom always perish, yet the infinitely refillable iced Americano is forever."
The perceived " speaking in a way that's hard to understand " of artistic language serves a purpose—it enables precise descriptions and facilitates rapid, professional dialogue within the art community.
This distinct linguistic approach is just one aspect of this "Community."
The limited opportunities for the general public to encounter, engage with, and converse with artists contribute to a sense of mystique surrounding the profession. A delicate veil separates the art world from the outside world— subtle, elusive, and evocative.
I want to conduct an experiment. Through video works created by artists, I hope to offer those outside the "Community" a glimpse beyond this veil. By reversing the process—using video to reflect on personal narratives and audience perceptions—we can create a dialogue between artistic reality and public imagination.
By presenting these works in accessible, easily viewable formats, we aim to lift this veil and bring together individuals who might not otherwise interact. The submitted videos will also serve as the foundation for a data-driven study on "artistic observation," ultimately forming a chart that delineates the boundaries between those within and outside the "Art Community".